In Hammett's view, it would be a "crime" for fans not to get a chance to hear the music. It’s obvious now," was his thought at the time. ![]() "Shit, okay we’ve got to put this stuff out. He never saw himself recording as a solo artist, but things reached a point where Hammett knew he had something he couldn't keep under wraps. As Portals took shape, Hammett knew that Outwater was a natural for the project. They bonded over their love of all things horror-related, staying in touch. Hammett enlisted a variety of musicians and collaborators – most notably conductor Edwin Outwater, who had previously worked with Metallica on S&M II. He says the music has an "audio-cinematic" approach, one that is meant to create "soundtracks movies in your mind." ![]() The title of Portals is deliberate, as Hammett sees each of the four pieces as gateways to myriad musical and psychic destinations. "Twice already!"īy then, he knew he was on a certain path. "Fuckin' hell, it happened again," Hammett adds, with a laugh. A second attempt, which became "The Jinn," produced the same results. As he listened to "Maiden and the Monster," the nearly seven-minute epic that kicks off Portals, Hammett realized that "this has already become something so much more than its original intention," as he tells UCR.
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